印度电影学位房

e have shown that crowds do not reason,that they accept or reject ideas as a whole,that they tolerate neither discussion nor contradiction,and that the suggestions brought to bear on them invade the entire field of their understanding and tend at once to transform themselves into acts. We have shown that crowds suitably influenced are ready to sacrifice themselves for the ideal with which they have been inspired. We have also seen that they only entertain violent and extreme sentiments, that in their case sympathy quickly becomes adoration,and antipathy almost as soon as it is aroused is transformed into hatred. These general indications